Italo Perez

ID: 4016758

Essay #1- Draft- How does the building perform socially?

Giuseppe Terragni Casa delete Fascio, Como, 1932-6

The appearance of Casa delete Fascio (House of the Fascism) is a metaphorical representation in the authoritarian purchase of the Fascist party. It consists of a excellent grid corporation with an orthogonal angles. In fact , it is just a compact structure, squared in plan, and rectangular in elevation. The key façade is composed by a main grid of available squares of the identical size linked to a solid up and down rectangle that goes from the ground flooring to the roof top. The design of the main façade symbolizes how everyone was equal and submissive while the government reigned over over them. In addition , the solid-void distinction reinforces the hierarchy in the solid wall structure. It is also interesting how the lines that define the grid will not overlap the numerous rectangle; it seems like they all result from it. The dominance with this gesture not only influences the façade but also jobs its pecking order to the plaza located in front side, as well as the avenue, indicating that the power not only rules within the building but it is expanded to the people gathering on the area. The access is pushed as well as is located for the center, because of this it is easy to identify. Also, their transparent glassed doors generate a clear connection with the interior space. Once inside we discovered that the grid opens, ultimately causing a central atrium which has a glass cover at the height of the second floor. This can be a only space in which people is liberal to move because it is surrounded by a U shape of governmental offices and solitary rooms. These act as a boundary by containing the folks inside. Although the undoubted impression of strictness, Casa delete Fascio can be described as building that invites one to experience the space. There is a a sense of transparency developed by the voids and glassed areas that connect the interior and the outside the house. Additionally , with the gates available, the outdoor space right in front becomes action of the central courtyard, favoring a fully understanding of the space for people inside or exterior. The visibility of the framework comes from Mussolini's idea of Fascism being a " glass house. ” This kind of idea was rather an impression than a the case; in a totalitarian government packed with corruption disguised of a phony democracy. Through this context, the location of private and public spaces inside and outside the building may create a a sense of being viewed by the power..


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